BUCCI IN FLUIDUM D 2023, 4min. 52 sec. per loop | 3840 x 2160 4K UHD, 48 khz stereo © daniela butsch | berlin 2023
sound: “butoh” a composition by © dorothee schabert (2018) is a further piece of appropriation art in the work cycle of the Berlin based artist DANIELA BUTSCH. The moving images were filmed in the ZKM – center for art and media Karlsruhe in the exhibition “Renaissance 3.0” where Holger Foerterers interactive particel installation “fluidum 1” inspired this piece. “fluidum 1” is an early example of reactive art. Based on infrared video technology, viewers find themselves in the dual role of viewer and active image creator. The computer programme running in the background abstracts bodies into contours made up of thousands of points of light. This alienating transfer makes something visible that is constantly present in the solidity of the anatomical body but not consciously perceptible: the flowing electrical energy that regulates communication between the cells. The firing of synaptic information sustains life. “As with all my moving images, I use the computer and the digital instruments of various programmes to manipulate the parameters of the recorded images. I breathe life into the technology. For “BUCCI IN FLUIDUM”, after completing the almost five-minute loop, I was able to find the right complement to my moving images on the sound level in the composition “butoh” (2018) by composer and sound artist Dorothee Schabert.” (Daniela Butsch, 2023)
WHERE’M I D 2023, 59 sec. | 4K Video – SD 480p
HOMAGE TO CHRISTO & JEANNE CLAUDE D 1995- 2021, 15 min.
ALTA, ALTUM, ALTUS electronic painting, D 2018, 2 min. 54 sec per loop
HIMMEL ÜBER BERLIN electronic painting, D 2016, 15 min. 21 sec per loop
TIME AND SPACE electronic painting, D 2016, 1 min. 08 sec per loop
BRANDENBURGER TOR Animation, D 2016, 2 min.
MY MIND Filmessay, D 2014, 6 min. 08 sec
bucci in ANTHONY MCCALL: FIVE MINUTES OF PURE SCULPTURE – ANTHONY MCCALL: FIVE MINUTES OF PURE SCULPTURE in bucci
Single channel video installation, 1min 54 sec. loop © Daniela Butsch, Berlin 2012-2015.
The video is based on photographs taken in May 2012 in Anthony McCall’s installation : Five minutes of pure sculpture at Hamburger Bahnhof, Museum für Gegenwart, Berlin and has been shown at numerous festivals and galleries in Germany and abroad. https://vimeo.com/manage/videos/453965366
FRIEDRICH KITTLER : IMPROVISATION ÜBER DAS ZUSTANDEKOMMEN DER MEDIENPHILOSOPHIE videodocument, Berlin, 2009, 75 min.
ONE MINUTE BIENNALE DI VENEZIA moving images I / D 2009-10, 1 min. 08 sec – https://vimeo.com/manage/videos/219653627
ARCHIPELAGO Stockholm / S, 2008, 88 min.
IDYLL Bayern / Berlin, 1995-2008
CANALE GRANDE Venezia / Berlin, 2004-07
LANDED TAKES & SOUND TIMES videodocument D 14 min, 2006 of the expanded cinema event at directors lounge 16.02.2006 – Performance by Andreas Gogol (Music) & Telemach Wiesinger (Film)
Telemach Wiesinger’s 16mm film sequences in »LANDED TAKES« run for 3 minutes each, and are recorded on travel with a static 16mm camera. Updated continuously, these location studies are combined in a fresh way for each projection space.
Andreas Gogol’s »SOUND TIMES« are LIVE improvisations which amplify the viusual space with sound collages and experiments thereby complementing the selected film passages.
The Expanded Cinema Performance »LANDED TAKES & SOUND TIMES« is a unique interplay between sound and image. Expanded Cinema stands for an experience which leaves the classic projection room to invent new forms of perception in new cinematographic worlds.
For this experience, both artists co-create an entirely new performance which is highly influenced by the location and the audience.
CASSIA D, 1983-2006, S-8-film on dvd, 1 min. 04 sec. loop
LOTA RED D 2005, 81 min. videodocument
MOOR Bad Aibling/Berlin, 2004, 2 min. 41 sec per loop
SPEED MANIPULATION HR / D 2003-04, 2 min. 09 sec per loop
HOMAGE TO MARK ROTHKO E/D, 2003, 1 min. 8 sec.
“Homage to Mark Rothko” is a work from the appropriation – art cycle of works by the artist Daniela Butsch. It was created from a video recording of the sky, the parameters of which were processed on the computer.
LANDSCAPE FAST D, 2001-03, 36 sec. (per loop)- https://vimeo.com/manage/videos/774187001
GREEN D 1999-2003, 1 min. 35 sec. (per loop)
SPREE D 2002-03, 4 min. 23 sec. version (per loop)
PSYCHEDELIC BLUE 1999-2003, 29 sec. (per loop)
FLOW USA/ D, 1999-2003, 12 min. 27 sec. (per loop)
SKY OVER BRÖLLIN D, 2001, 8 min. 40 sec. (per loop)
1996 Regie, Kamera, Ton, Schnitt und Produktion des Interviewfilms
„Glück“
FRAUEN UND BUDDHISMUS, Videodokument der ersten internationalen Konferenz buddhistischer Frauen. Köln/Berlin 2000 | dv 56 Minuten
JACK OX – INTERMEDIA ARTIST, USA / D, 1997, 14 min.
videodocument shows the intermedia artist Jack Ox and her work on Kurt Schwitters’ “Ursonate”.
Beck & Al Hanson: Playing with matches. videodocument
IRA ONE Videodokument, USA/D, 1997 25 Min. 47“
Das Videodokument „Ira One“ entstand während eines Besuchs bei dem amerikanischen Videokünstler Ira Schneider anläßlich einer dreitägigen Retrospektive seiner Filme und Videos in den „Anthology Film Archives“ im April 1997 in Manhatten. Gezeigt werden –neben einem Interview mit dem Mitbegründer der „Raindance Corporation“ und ihrem Organ „Radical Software“- montierte Ausschnitte aus Schneiders Arbeiten:
„The Great Suds Your Duds Robbery“, USA 1963 |„Lost in Cuddihy“, USA 1966 (Museum of Modern Art Film Archive) |„The Ghost of Wittgenstein“, USA 1967 | „I’d rather be half right than Vice President“, USA 1968 | „Wipe Cycle“, Video Installation mit Frank Gillette in „TV as a creative medium“, Howard Wise Gallery, N.Y., 1969 | „The Rolling Stones Free Concert Altamount California“, USA 1969 | „The Woodstock Festival“, USA 1969 |„More or less related incidents in recent history“, USA 1976 | „A weekend at the beach““, USA 1976 |„World Trade Center“ Animation 1989https://vimeo.com/manage/videos/774187001 –